Alexandra Errington b. 1997 is a Franco/British Visual Artist based in London.
At the heart of my practice is a desire to animate our manufactured environment and explore the disregarded potential of synthetic materials. Through sculpture, I alter the natural order of domestic items and industrial waste, transforming them into enigmatic, organic compositions.
My operations are fuelled by a fascination for evolutionary biology, microbiology, and the organisation and reorganisation of living forms. I am developing a speculative process of dissecting, bending and fusing, that hopes to mimic natural processes and bring intangible notions of growth and symbiosis to a more familiar scale.
I search for images that are liminal, intersections between the man made and the natural, between scales and between meanings. My ambiguous configurations hope to activate our associative thinking, and visually follow how one form, as it were, can emerges from another.
2019 - 2021
MA FINE ART, Chelsea College of Art, London (Uk).
2017 - 2019
BA FINE ART, Institut Supérieur des Arts de Toulouse (FR).
24/7, The Shop Front Gallery, London(UK), September 2020.
RETOUR VERS LE FUTUR, Gallery Leverrier, St lo (FR), upcoming.
CONVENIENCE, Virtual exhibition(UK), May 2020.
COMMON OR GARDEN, The CookHouse Gallery, London (UK) April 2020.
CLIMATE CRISIS: SPECULATIVE FUTURES, Digital Showreel at the Horniman Museum, London (UK) March 2020.
ASHES TO PASSION, St Saviours Church Pimlico, London (UK), March 2020.
ASSEMBLAGE EXPERIMENTS, Workshop led by Lonnie Holley, Turner contemporary, Margate (UK), February 2020.
UNIT, Chelsea College of Art London (UK), December 2019.
ENCOUNTERS, The Cookhouse Gallery, London (UK), November 2019.
BUREAU DE CHANGE, International Arts Festival, The Cookhouse Gallery, London (UK), October 2019.
DEPARTURE LOUNGE, Chelsea College of Art, London (UK), October 2019.
MIMESIS*, Musée Des Augustin/Ancient Reservoir, Toulouse (FR), May 2019.
Gallery EXPRMNTL, Toulouse (FR), June 2018.
MAFAZINE, Rods and Cones, November 2019 -August 2020.
CHELSEA STORY: BUILDING A SUSTAINABLE CREATIVE PROCESS, Online article by Grizelda Kitching, 2021.
CONTEMPORARY HYLOSHAPES, Online and paper edition by Pau Geis, 2020.
CECILE LEWIS SCULPTURE AWARD, September 2019.
PRODUCTION/INSTALLATION ASSISTANT, Charlotte Charbonnel, Arts dans les chapels Festival, Guern/Paris (FR), 2018.
ARTIST ASSISTANT, Daiga Grantina, DOC!, Paris (FR), 2018.
Tel: +44 7539780165